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Doctoral dissertations in musicology online
Eastman Graduates with the PhD in Musicology are working in universities and colleges across North America. Places of employment include Yale, UCLA, Vassar, Rutgers, Notre Dame, Dickinson, Skidmore, Franklin and Marshall, University of Arkansas, Pennsylvania State University, Brigham Young, University of New Hampshire, Cincinnati College Conservatory, North Carolina School of the Arts, Oxford College of Emory University, Bowling Green State University, Western Michigan University, SUNY Geneseo, Ithaca College, Nazareth College RochesterUniversity of Ottawa, University of Toronto, Mount Allison University, and the Hong Kong Academy for Performing Arts.
Other graduates work in administrative positions at the Philadelphia Orchestra and the Packard Institute for the Humanities. Read Eastman Notes Back Issues. Inquire Visit Apply Eastman Centennial Celebration. University of Rochester Directory.
Recently completed PhD dissertations in Musicology Eastman Graduates with the PhD in Musicology are working in universities and colleges across North America. Snyder Professor of music, Nazareth College Wells Elizabeth West Side Story s : Changing Perspectives on an American Musical Ralph P.
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Locke Professor of musicology and organ, Rutgers University Reynolds Anne-Marie The Songs of Carl Nielsen Alfred Mann Faculty, Geneseo, State University of New York Dodds Michael The Baroque Church Tones in Theory and Practice Kerala J. Snyder Faculty, North Carolina School of the Arts Frandsen Mary The Sacred Concerto in Dresden, ca. Snyder Faculty; director of resources and outreach, Notre Dame University Loveland Karl Reading Donizetti's La fille du régiment: Genesis, Transformations, and Interpretations Ralph P.
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Rochester, NY Directions and Parking Questions and Comments. Sounding Socialist, Sounding American doctoral dissertations online in musicology Music, Technology, and Everyday Life in the Soviet Union, Reviving Early Music: Metaphors and Modalities of Life and Living in Historically Informed Performance.
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The Sung Self of Syllables: Interpretive Paradigms for Contemporary Vocal Music. The Recitativo Semplice in Handel's Operas for the First Royal Academy of Music, Lecturer at the Hebrew University of Jerusalem and Artistic Producer of the Jerusalem Oratorio Choir. Becoming Stephen Sondheim: Anyone Can Whistle, A Pray by Blecht, Company and Sunday in the Park with George.
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Music and the Binational Imagination: The Musical Nationalisms of Mexico and the United States in the Context of the Binational Relationship, Diasporic Communities and Negotiated Identities: Trauma, Recovery, and the Search for the Armenian Musical Voice. The Sounds of Memory: German Musical Representations of the Holocaust, Synergy in America's Early Talking Machine Industry: Technological, Commercial, Cultural, and Musical Factors in Band and Orchestral Recordings, Constructing a Nation's Music: Howard Hanson's American Composer's Concerts and Festivals of American Music, Reading Donizetti's La fille du régiment: Genesis, Transformations, and Interpretations.
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Seconda prattica and the Aesthetic of Meraviglia: The Canzonettas and Madrigals of Tomaso Pecci The Development of the German Keyboard Canzona and its Reflection in the Work of Gottlieb Muffat.
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, time: 14:12AMS—Doctoral Dissertations in Musicology
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